Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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MAZO, Juan Bautista Martinez del
View of Saragossa sgj

ID: 08164

MAZO, Juan Bautista Martinez del View of Saragossa sgj
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MAZO, Juan Bautista Martinez del View of Saragossa sgj


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MAZO, Juan Bautista Martinez del

Spanish Baroque Era Painter, ca.1612-1667  Related Paintings of MAZO, Juan Bautista Martinez del :. | Infante Don Baltazar Carlos sth | View of Saragossa sgj | The Hunting Party at Aranjuez | The Empress Dona Margarita de Austria in Mourning Dress h | The Artist's Family yu |
Related Artists:
CRETI, Donato
Italian painter, Bolognese school (b. 1671, Bologna, d. 1749, Bologna) Italian painter and draughtsman. His individual and poetic art represents, with that of Marcantonio Franceschini, the last significant expression of the classical-idealist strain in Bolognese painting. His activity was almost wholly confined to Bologna, where he painted decorative frescoes, altarpieces and easel pictures for private collectors. Two qualities are paramount: a perfected finesse of handling and poetic suggestiveness of situation and mood. He sought the ideal beauty of the individual figure and was thus at his best in meditative pictures with few figures; his subjects combine grace of form and precision of contour with flesh that attains the surface delicacy of porcelain and colours that have a mineral-like refulgence.
Louis emile pinel de Grandchamp
Beaune 1831-1894
VIVIEN, Joseph
French painter (b. 1657, Lyon, d. 1734, Bonn) French painter and pastellist, active in Germany. He trained in Paris in 1672 with the painter Fran?ois Bonnemers (1638-89), also attending the Acad?mie Royale, where his oil painting the Punishment of Adam and Eve (untraced) won a second prize in 1678. Only in 1698 was he received (re?u) at the Acad?mie, as a pastellist, on presentation of portraits of the sculptor Fran?ois Girardon and of the architect Robert de Cotte (both Paris, Louvre; see PASTEL, fig. 1). Having been commissioned to execute a pastel Self-portrait (Florence, Uffizi) by Maximilian II Emanuel, Elector of Bavaria, in 1699, the following year he was appointed the Elector's principal court painter (see WITTELSBACH). He henceforth divided his time between Paris, the Elector's courts at Brussels and Munich,






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